Portfolio
- 028 2025 Almanac software
- 026 2024 Incidental Omens installation
- 025 2023 a temple, a hospital, a dungeon installation
- 024 2023 Chthonic Rising installation
- 023 2022 eternal flux installation
- 022 2022 Apotheosis installation
- 021 2021 MoveObjects On group
- 020 2021 Hypernadir installation
- 019 2021 Flower Eaters installation
- 018 2021 ALTR Test
- 017 2021 Wet Spells Zine
- 016 2021 Desire Spelunking installation
- 015 2020 Tee Shirt collection zine
- 014 2020 4WHTVRS0NLY installation
- 013 2020 Bad Star group
- 012 2020 Lick of Paradise installation
- 011 2019 Goddess Worship installation
- 010 2019 Etheral Devotion installation
- 009 2019 Witch Bitch Switch installation
- 008 2019 Punishment Rituals installation
- 007 2018 Smoke Show installation
- 006 2018 To Ward off Evil zine
- 005 2018 Bruise Me Softly installation
- 004 2017 Femme Top Of Your Dreams installation
- 003 2016 Matriarchy Now installation
- 002 2015 Next2015 installation
- 001 2015 Grassi Lakes installation
about
bio
Dana Buzzee is a visual artist and arts educator from Alberta, located on Treaty 7 land. Rooted in queer hauntology and materialism, Buzzee’s work serves as a narrative medium for speculative futurity, exploring themes of healing, the body, and temporal connections. By shifting ubiquitous industrial materials, particularly plastics, out of their conventional context, Buzzee challenges perceptions of neutrality and leverages their long-term reach to explore their ties to consumer fetishism and extractive capitalist ecologies. Through sculpture-based installations, Buzzee’s work engages with notions of fantasy, desire, and utopia, reflecting on the intersection of body, materials, and the environment.
Buzzee holds a B.F.A. from the Alberta College of Art and Design (2012) and an M.F.A. from the University of Oregon (2022). They have participated in residencies at the Studios at MASS MoCA (2024), The Banff Centre (2021), and the Icelandic Textile Center (2019). Buzzee’s exhibition record includes solo and group exhibitions across Canada, the U.S., and Europe. Most recently, they presented a solo exhibition, Incidental Omens, at the Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin in Lethbridge, AB. Their work has also been supported by grants from the Calgary Arts Development Authority, the Alberta Foundation for the Arts, and the Canada Council for the Arts. Currently, Buzzee lives and works between Calgary, AB, and Dallas, TX, where they teach as a Visiting Professor of Practice in the Division of Art at Southern Methodist University.
Artist Statement
My practice explores the poetics of materials, speculative narratives, and the shifting boundaries between care, desire, and extraction. Through sculpture-based installations, I craft conceptual constellations that examine the affective dimensions of contemporary life, often staging architectures and objects that feel out of time and place. My work engages speculative futurity and deep-time storytelling, bridging ancient ritual forms with contemporary cultural detritus as a way of exploring what persists, what haunts, and what might yet emerge.
I am drawn to the material and visual languages of countercultural, queer, and feminist communities, including the semiotics of ritual, wellness, and resistance. This research has led me into both formal and informal archives, which I approach not as sites of extraction but of collaboration across time. Drawing on queer hauntology and disability justice, I posit care as a central concern in my studio practice. I strive for my installations to be conceptually maximalist yet physically sensitive, holding multiple meanings and understandings at once.
In recent years, my practice has turned more directly toward the contradictions of healing and wellness: how they are aestheticized, desired, and denied. As someone who lives with chronic illness, I have become especially interested in the ritual practices of care, which I see as a kind of proto-magic or cognitive technology. This includes both historic and contemporary somatic practices, such as medicinal rituals, bathing and spa culture, and practices of meditation, sleep and dreaming that resist the “logic” of productivity. These ambiguous, charged, and sometimes absurd states point toward the need for spaces that support not resolution, but rest, reflection, and transformation.
Ultimately, my work seeks to build environments where materials, histories, and bodies converge in speculative arrangements that challenge dominant narratives and gesture toward alternate futures, somatic fantasies, and psychic utopias.
CV available upon request
Contact
Currently, I am pretty bummed out on social media. I keep an Instagram, where I sometimes post extended documentation and works-in-progress, but not in anything close to an immediate or synchronous tempo: @danabuzzee.
I am giving Perfectly Imperfect a shot rn. Idk, maybe it'll stick, maybe it won't: @father_Figuerine.
The best way to reach me is by email: dana.buzzee [at] gmail [dot] com.